jueves 26 de marzo de 2009

Diana Krall - Quiet Nights (2009)

Lo que todos estabamos esperando...
Quiet Nights es el primer álbum de estudio de Diana Krall desde From this moment on (2006). Un disco que ella misma define como íntimo, sensual y erótico.
Un álbum que refleja su felicidad tras ser madre de gemelos a finales de 2006 (junto a Elvis Costello). 10 canciones que incluyen baladas, tres versiones de Antonio Carlos Jobim y clásicos como "Walk On By" de Burt Bacharach. "Es la mejor experiencia grabando que he tenido hasta ahora", comenta la artista, que se inspiró para hacer el álbum en un viaje a Brasil realizado en 2007. Colaboran sus músicos habituales y su productor, Tommy LiPuma, que ha trabajado con ella en sus nueve grabaciones anteriores; vuelve el arreglista Claus Ogerman (Jobim, Frank Sinatra, Stan Getz, Bill Evans), con el que trabajó por última vez en "The Look of Love" (2001). El disco, editado bajo el sello Verve Records, contiene diez canciones, entre las que se destacan 'The Boy from Ipanema' y 'Este Seu Olhar' de Antônio Carlos Jobim, el clásico de Burt Bacharach 'Walk On By', interpretado por Dionne Warwick (1964), y la canción 'Where Or When', de los compositores Richard Rodgers y Lorenz Hart.
Tracklist:


1. Where Or When 4:10
2. Too Marvelous For Words 4:05
3. I've Grown Accustomed To His Face 4:48
4. The Boy From Ipanema 4:54
5. Walk On By 5:03
6. You're My Thrill 5:47
7. Este Seu Olhar 2:46
8. So Nice 3:52
9. Quiet Nights 4:45
10. Guess I'll Hang My Tears Out To Dry 4:59
11. How Can You Meand A Broken Heart (Bonus Track) 4:30
12. Every Time We Say Goodbye (Bonus Track) 5:19
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jueves 19 de marzo de 2009

Rosalia De Souza - D’Improvviso


Rosalia de Souza es una cantante y compositora brasileña, nacida en Rio de Janeiro el 4 de Julio de 1966. Su música es una fusión de bossa-nova, jazz, samba y electrónica, un sonido alegre, de agradable escucha, sin experimentación ni intelectualismo. Temas muy accesibles, que gustarán tanto a los amantes de la música brasileña como a los seguidores del nu-jazz. La mayor parte de los temas cantados por Rosalia de Souza son composiciones del genio italiano Nicola Conte, principal referente del acid jazz en dicho país, producidas expresamente para la cantante brasileña. Para los que conozcan los álbumes del italiano, bastará decir que los temas compuestos para la vocalista tienen la calidad a la que nos tiene habituados, la misma lograda fusión de ritmos brasileños con bellísimas melodías de jazz.
Rosalia de Souza se interesó desde pronta edad por la música, afición cultivada por su padre. De hecho, a su llegada a Italia, con 23 años, estudió en la Scuola Popolare di Testaccio, recibiendo clases de teoría musical, percusión cubana, jazz e historia del jazz. Ese mismo año comenzó su colaboración con artistas brasileños, como Alvaro dos Santos, Ney Coutinho, Roberto Taufic y el pianista Giovanni Guaccero, con el que tuvo la oportunidad de cantar en los clubes de jazz más importantes de Roma. Su repertorio habitual incluía autores brasileños clásicos, como Tom Jobim, Baden Powell, Joao Gilberto, Sergio Mendes, Edu Lobo, Joyce, Toquinho, Vinicius de Moraes, Djavan, Caetano Veloso, Gilberto Gill, Chico Buarque y Milton Nascimento, entre otros. En 1994 conoce al que va a ser el verdadero impulsor de su carrera: el músico y compositor Nicola Conte, gracias al que participará en grabaciones para grupos punteros de Italia, como Intensive Jazz Sextet y Quintetto X. En Junio del 2000 participa, junto a Pietro Lussu, Pietro Ciancaglini y Lorenzo Tucci, en el Brazil Festival, en Londres, dónde conocerá al grupo de Acid jazz Les Hommes. Junto a esta formación actuará, con la adición de Gianluca Petrella, en el Fez Jazz Festival, en Bari, en Diciembre. Además, Rosalia, junto Les Hommes, actuará con éxito en Festival de Lounge de Cesenatico, y en el Summer Lounge Festival en el Jazz café de Londres. En el 2001, representa a Italia, junto al Schema Sextet y Nicola Conte, en el Festival de Jazz de Montreux. Su debut discográfico en solitario se produce en el 2003, de la mano nuevamente de Nicola Conte, que produce y compone buena parte de los temas incluidos en el álbum: Garota moderna. Este larga duración se convierte rápidamente en una referencia, y es considerado uno de los mejores del año. La carrera en solitario de Rosalia de Souza no podía comenzar mejor. Se trata de un fantástico álbum que da sobradas muestras del enorme talento de la cantante, de la que, de ahora en adelante, sólo se puede esperar grandes cosas. Un año después, se edita Garota diferente, un álbum de remezclas de su primer disco, con reinterpretaciones a cargo de grupos muy interesantes, como The Five Corners Quintet, Zero dB, Trüby Trio, Gianluca Petrella, Povo, Gerardo Frisina, Stateless, Raw Deal, Big band, Buscemi y The Dining Rooms. ¿Adivinan quién ha concebido este álbum y quién lo ha hecho posible? Sí, efectivamente, es Nicola Conte.
En Enero del 2006 llega a las tiendas el segundo álbum de estudio, Brasil precisa balançar, grabado enteramente en Rio, con arreglos y producción del gran Roberto Menescal, y con las colaboraciones vocales de Marcos Valle y Toco. Un segundo trabajo tan interesante como el primero pero mucho más cercano a la música popular brasileña, sin rastro de electrónica. En Enero del 2009, Schema Records presenta su tercer álbum de estudio, D’Improvviso, producido por Luciano Cantone, además de contar de nuevo con Toco en calidad de compositor y vocalista.

Tracklist:
1. Banzo. 4:20
2. Candomblé. 4:25
3. D’Improvviso. 3:08
4. Carolina Carol Bela. 3:10
5. O cantador. 3:39
6. Opiniao. 3:39
7. Sambinha. 3:14
8. Luiza manequim. 4:46
9. Samba longe. 408
10. Amanha. 4:13
11. Quem quiser encontrar o amor. 3:09
12. 5 dias de carnaval. 2:51
13. Bossa 50. 4:27
14. Ondina. 4:33
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Emilie-Claire Barlow - The Very Thought Of You (2007)


She may be only 32 but Emilie-Claire Barlow has been dazzling the world with her stunningly beautiful voice for more than two decades. Starting out her career at the tender age of seven, voice acting for television and radio jingles, kids may know her best from her character roles on Sailor Moon, 6Teen, Rescue Heroes, and Total Drama Island, just to name a few.
Music lovers, however, will recognize Barlow as Canada’s up-and-coming rising star on the international jazz music scene, the Toronto-based musician who recently brought home the female vocalist of the year award from the 2008 National Jazz Awards and who was recently nominated for a Juno award for vocal jazz album of the year for her most recent compilation The Very Thought Of You. And next week, the singer who is quickly becoming known as Canada’s incomparable vocal-jazz jewel, will bring her talent to Sackville to perform during an intimate concert at the United Church, an event that is being highlighted during the town’s Cultural Capital year. Barlow says she is thrilled with the opportunity to perform in a community that is becoming so well-known for its arts and culture repertoire.
“I’ve never played there before and I think that this Cultural Capital event that’s happening is such a fantastic thing,” says Barlow from her Toronto home.
“I think it’s a great time to come there and it (the church) sounds like a beautiful venue and I think it’s going to be perfect for the type of music I do and the type of instrumentation I’m bringing there.” It should come as no surprise that Barlow has become such a successful musician. Introduced to music at a very young age by her parents, who were respected jazz artists themselves, she says it was only natural for her to develop a love for it.
“My parents are both musicians and there was a lot of music happening around my household from the time I was very little,” says Barlow. “Music was always very encouraged and I listened to a lot of singers like Ella Fitzgerald and Mel Torme and Tony Bennett when I was young and I just started to fall in love with all of those standards.”
Later on in high school, Barlow studied musical theatre and started putting together her first jazz quartet.
“And it just kind of snowballed from there,” she says.
Barlow says she has been influenced not only by the jazz greats that came decades before her but also from some of the more modern artists who have not been afraid to tackle music from that era, such as Holly Cole.
“I loved the fact that these contemporaries were taking songs from the ‘30s, ‘40s and ‘50s, and keeping them alive. They’re so well crafted, these songs. They’re so brilliantly written that they’ve not only withstood the test of time but withstood so many people doing them in different styles and voices.”
She has been inspired to do the same herself.
“I love taking a song that’s maybe 70 or 80 years old and trying to just put my own little spin on it and perhaps introduce it to the next generation of people and keep it alive. That’s exciting to me.”
The self-managed Barlow produces her own albums and recently released her sixth title under her own record label Empress Music Group. Over the past three years, the Juno-nominated vocalist has secured Canadian distribution with Distribution Fusion III, and a licensing deal with JVC Victor Entertainment in Japan. Her music is also available worldwide on iTunes and many other digital retailers.
“I think it’s important for me to have creative control. I do have a lot of ideas right now; I have a lot of inspiration . . . I think that, for the moment, producing the records myself is a challenge that I want to take on.”
Warren Maddox, coordinator of Sackville’s Cultural Capital programming, says he’s ecstatic about bringing Barlow to the area.
“She’s got such an amazing voice. She’s just one of these performers that spellbound me,” says Maddox, who first heard Barlow several years ago during a concert in a small Montreal theatre. He says he instantly knew she would soon be rising to the top of the charts.
Maddox says attracting up-and-coming artists like Barlow to Sackville during 2008 has been his main goal.
“You’re going to see people this year performing that are not too far away from their first Juno . . . people that are the Diana Kralls of the future.”
And what can audience members expect during Barlow’s upcoming show?
“They can expect a very intimate concert,” she says.
“It’s a small group so it really features the voice and my guitarist. You’re going to hear some swing tunes and some bossa novas, just a great night of music.”
Opening the evening concert at 8 p.m. on Wednesday, Sept. 10 at the Sackville United Church will be New Brunswick native Rémi-Jean LeBlanc with his ensemble.
The group is composed of four exceptional musicians who perform in different musical circles in the Montreal region.
Their influences, mostly deriving from jazz and pop music, create a distinct ensemble sound because of the unique musical background of each member.

Tracklist:
01. The Very Thought Of You (6:38)
02. Almost Like Being In Love (3:45)
03. O Pato [The Duck] (3:35)
04. Les Yeux Ouverts [Dream A Little Dream Of Me] (4:46)
05. Pennies From Heaven (4:25)
06. What A Little Moonlight Can Do (5:22)
07. Surrey With the Fringe On Top (5:00)
08. My Time Of Day/I've Never Been In Love Before (5:58)
09. C'est Si Bon (3:51)
10. De Conversa Em Conversa (2:54)
11. The Boy Next Door (4:25)
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